Amazing Spider-Man #546
Writer: Dan Slott
Penciler: Steve McNiven
Inker: Dexter Vines
Colors: Morry Hollowell
Last week, I said I wasn’t going to read any more Spider-man comics until it returned to “Normal”. Then the guys at Fanboy gave me this book to review. I’m sure Cyrus is in a leather chair, looking over the city, rubbing a white cat and laughing as the nuclear bombs go off. I’ll get you for this, Cyrus. Oh, yes. [Editor's Note: Tee hee.]
Anyway. I’m going to review this. And I’m going to do it as objectively as I can. Too a point. This issue starts off after they totally screwed up, I mean, after they altered Spidey’s past and made it more dumbed down, I mean, more accessable to readers. This Spider-man isn’t married and never has been. He lives with Aunt May again. He doesn’t have a job. And he hasn’t been Spider-man in months. So, he’s basically a loser. Oh, and even though he revealed himself to the public in the wonderful and amazing Civil War #2, uh, no one knows he’s Spider-man. Hang on. (Jarvis takes big long swig of whiskey). Ok. I’m good. Where was I? Oh yeah. And Mary Jane is a superhero. Oh, god. My stomach hurts.
Dan Slott does a good job with this new/old Spider-man. This Peter Parker has some hard times, but he does the best he can, you know? He loves his Aunt May and he knows he’ll get through the bad patches if he works hard and flies straight. The art by McNiven is simply amazing and beautiful. Seriously, McNiven might become THE Spider-man artist from now on. Add to that a pretty cool new villain and you’ve got a comic that is actually pretty good and worth reading.
RATING: 4.5/5
BUT! BUT! I don’t care if this comic is laced with gold with twenty dollar bills in-between the pages! [
Editor's Note: I think that was already a Spawn variant back in the nineties. It's worth like twelve dollars in mint condition now. Wait, did you already make this joke in your Youngblood review? I forget.] I hate, hate, HATE, what they have done to Spider-man. No one knows Peter Parker is Spider-man? Why the hell did I read Civil War for? If him and Mary Jane were never married, how did the Venom story start? What about all the story lines tied to the marriage? What about the Avengers? Was Spidey even in the Avengers? Is he in the Avengers now? No more organic web shooters? Did Spider-man fight anyone in the last two years? Didn’t Spidey just get reborn, like, a damn year ago? What about all his new powers? What about the Black Costume story that happened a few months ago? If Aunt May didn’t get shot, he never would have worn the costume, right? I don’t understand how the Marvel Editorial department can just roll back over twenty years worth of Continuity with out blinking an eye. Hey Everyone! My name is Jarvis Slacks and I’ve done some stupid stuff in my life. But guess what? I’m gonna pretend like none of it ever happened! Brand New Day! [
Editor's Note: Okay, cool, I'll delete your Booster Gold review for you.]
Comics are hard to write because of Continuity. That is what makes it difficult. But, a good writer dances around the continuity or uses it to make stronger stories. The Sinestro Corps does this. Annihilation does this. The Fantastic Four books do this. What Marvel is saying with this “new” Spider-man is that they are too stupid to write anything good, so they are just going to go back to square one. They shouldn’t have that luxury.
Basically, Amazing Spider-man and Ulitmate Spider-man are doing the same things right now. Except Ultimate Spider-man is a good comic and Amazing Spider-man is the ugly cousin at the family reunion that no one wants to talk to.
Marvel’s Editorial Department
RATING: -100/5
Youngblood #1
Story: Joe Casey
Art: Derec Donovan
Colors: Bill Crabtree
Publisher: Image Comics
Price: $2.99
I remember a conversation I had with a guy back when Image first was created. He believed that Image would be this watershed moment, where the artist finally gets to tell some amazing stories without the restrictions of "The Man". Power to the People! Yeah, well, one billion years later and guess what companies are still standing and which books are collecting dust under your bed. Remember when you thought Youngblood #1 was going to be worth lots of money? Last week I ran out of toilet paper. Guess what I used. Come on. Guess.
This current revision of the, ahem, classic story has Youngblood reformed by a Government PR group. The world hates America. So, in an effort to get people to like the old red, white, and blue, the government reforms Youngblood, puts them in front of cameras, makes them pose, and has them fight giant robots. Shaft, the leader of the group, is jaded and angry about all this, but recognizes that there might be a real need for Youngblood, and soon. Pull back the curtain and you see a bad guy from their past with his own set of villains, ready to take the fight to Youngblood in the streets and on television. Lights! Camera! Vomit!
Here is my problem with Youngblood. The idea behind them was garbage in the first place. It was silly. Rob Liefield designed the characters so he could have something cool to draw. There isn't anything interesting, new, or innovative about Youngblood then or now. Joe Casey is a great writer, and he does alright with this book. The art is capable, if not boring and lackluster. Its almost like no one is putting too much work into the book because they know its junk. It is Youngblood, and I'm sure some poor soul will buy it. But I don't care if you take mud, put sugar in it and bake it at 500 degrees. It is still mud. Someone take Youngblood and bury the whole mess. We've been through enough.
RATING: 3/5
Hulk #1
Writer: Jeph Loeb
Penciler: Ed McGuinness
Inker: Dexter Vines
Colorist: Jason Keith
Ok.
So, after World War Hulk, the US government took Bruce Banner and locked him up. We all saw that in the last page. However, the beginning of Hulk has a Hulk-like-thing killing the Abomination. I thought he was already dead. All fingers point to the Green skinned baddie. But, why is Rick Jones in the middle of nowhere, with no clothes on? And, if the Hulk killed the Abomination, why is Bruce Banner locked up? And why is there a picture of a Red Hulk on the cover? And why do I care? I know the answer to that last question. I don't care. Not at all.
Jeph Loeb sucks. This is a typical paint-by-numbers Hulk issue, complete with silly fight scene. Loeb thinks that, as long as we don't know who or what this new Hulk is, we'll keep reading. Well, he's right. But once we find out, we probably won't come back to it. A mystery is only good until the mystery is revealed. Once that happens, the story just flops. I mean, lets be real here. Rick Jones is probably the New Hulk. Why is he the new Hulk? And why did he kill the Abomination? Is Rick Jones a killer? These are boring questions. Everything about this book I have seen before and it is complete uninteresting and unimportant.
This has happened before with the Hulk. John Byrne came on board and tried to make the Hulk back into a monster, rampaging and dangerous. It worked for three issues, then the book went to complete trash. Once the editorial team swayed away from the psychological problems of the Hulk, the book just got bad. Peter David's Hulk has character and depth. It has weight to it. We need more than the Hulk being red. We need the Hulk to be interesting and engaging. World War Hulk did that, to a point. Planet Hulk did it really well. Peter David's run did it perfectly. This Red Hulk is just a gimmick. I'm tired of gimmicks.
The only good part about this book is the art by Ed McGuinness. His work is wonderful. He is the perfect artist to do the Hulk. And, even though it isn't a Hulk I'm all that interested in, I'm still impressed with this guy's abilities.
This is the only Hulk you're going to get for a while. I have a prediction. In less than a year, we see a fight between Green Hulk and Red Hulk! Wow! Who would have ever guessed that?
RATING: 3/5